Lately she has opened a concert for Pusha T and recorded with Madman a piece called “Devil May Cry”. Priestess rocks and has nothing to envy to her male colleagues” is the common saying in these cases. Does it still make sense to “genderize” an artist’s evaluation? Whether it’s a woman or an apulian girl, we don’t care: let’s render to Caesar the things that are Caesar’s, to Cleopatra what is Cleopatra’s and simply crown her among the new queens of trap music.
Written by Andrea Pagano