When a party leaves you with something more than memories of the DJ, the music (too quiet, too loud), the people you met (and took home if you were lucky), your sexy, happy friends and the sunrise… well, that means you just went to the perfect party. What remained with me from the last In Treatment, other than all the aforementioned, stayed on the Expedit in my hallway for weeks: little origami butterflies that then, as if by magic, flew onto the only blue wall in the house. Because if you stay to the very end of In Treatment, when all the decorations have to be taken down, you can take a physical piece of the party home with you. This time the word is that colourful LED wires will be used to turn the Macchinazioni Teatrali garden into a magical rainbow space. This will of course all be set to an excellent soundtrack and this time the console is captained by Dan Beaumont, agitator of London venues such as the game-changing queer bar/club/art space Dalston Superstore, Dance Tunnel and warehouse party Chapter 10, already spotted twice at Berghain and friendly with Spencer Parker’s production. He ranges from funky house to weird techno, the perfect mood for another perfect party.